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The endless horizons of the Italian.

BAND: "Motel Connection" - ALBUM: "SANTA MARADONA-OST" (2001)

In this brief pills spazio di musica alternativa italiana non era ancora stata fatta menzione di musica elettronica. Come può nascere un gruppo di elettronica in Italia? Una band del genere non avrebbe di certo l'appoggio di note etichette discografiche che puntano solo a presentabili ragazzini dal bel viso capaci di emanare ai più dolci parole d'amore; ed è dunque ad un gruppo come i Motel Connection (Samuel, cantante dei Subsonica; Pierfunk, ex bassista dei Subsonica; e PistiDJ "compare underground" dei due) che va attribuito un progetto davvero originale nel panorama alternativo italiano e che sarà in grado di funzionare sicuramente anche grazie all'attenzione suscitata dal film di Marco Ponti, "Santa Maradona" appunto, dalla qualità inopinabile e the soundtrack is just signed by the splendid debut Motel Connection.
Since the well-known single "Two" is denoted a meticulous attention to sound choices and riffs are well integrated in the right frame of this song and the song that will forever leave the sign to the minds of fans with the piercing words of Samuel whispering "feel the That sound shine. "
"The light of the morning" wakes us up from the atmosphere quite enchanted by Two and lets in more concrete tools, architecture, musical sound of this we recognize it is easy to move from the guitar that opens the song and that fire the onset as a result, early fact, the daily repetition. Through "Load" have the highest saturation of sounds, effects are used consistently and aritmicità drums and bass build a song from the bpm with overpowering desire to escape the slow pace of the rest of reality. After a lot of speed and frenzy is "Lost" to return to earth at rates much more regular and more human voices the listener who had lost his human condition after the three already described and emblematic songs that have historically characterized the album and the eponymous film. The wave of pure energy that will then be sent from "All Over" music accompanies a totally inspired while Samuel Pierfunk will literally take off a bass high profile, note by note this track will prove to be an ascent to other dimensions of sound.
atmosphere that can create a song will then be clearly spelled out in "Fresh'n'up" a mixture of buildings and mixing of sounds easily replicated in future work. The precious triptych
paraphrased in the tracks of "Moonflower," "DbVolante" and "V-Brain" will be able to dissect the mind of the listener, which in total habituation of sounds at times disturbing but often loaded with innovative molds can detect what is literally capable of generating the Italian underground that grows. Motel Connection
I have the insight and the ability to be able to assert in campi difficilissimi da affrontare per artisti con scarsa creatività: Samuel, Pierfunk e Pisti Dj sono riusciti a portare sui palchi di tutta italia musica elettronica, da club, a persone che probabilmente prima di questa occasione neanche la conoscevano.
I Motel Connection sono l'espressione dell'ottima riuscita di un'organizzazione indipendente e derivante dall'underground italiano, in questo caso torinese, che se supportata è in grado di produrre enormi risultati.

Alessandro Tedesco

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The sinking of infertility today's society.

GRUPPO: "BAUSTELLE" - ALBUM: "I MISTICI DELL'OCCIDENTE" (2010)

heard the first album Baustelle, "explained Subsidiary of youth", everyone could see potential in this group undisputable, but nobody would have bet on a fifth album is so developed as that of "The Monks of the West."
The year 2010 was indeed the year of its release, and also represented an important crossroads for the future of the band of Montepulciano after the masterpiece of "Amen" (2008) - which, with its perfection was able to win the prize Tenco - the next job had to be able to give continuity to a path to follow now artistically important and critical.
"The Monks of the West" does not disappoint and requires the listener the desire to be deciphered in the depths of its essence. It follows immediately
the side of the valuable content: the title derives from the book of the same name of item Zolla, Italian philosopher and essayist, a scholar of Eastern and Western mysticism and the production is designed by Pat McCarthy (something far away from their first jobs ).
The process of the twelve tracks will allow us to understand the scope of content of this "opera quinta.
"Indigo" opens fire, invading the atmosphere around the listener to darker images: from solitude to the passage of a hearse, mysticism and religion are directly related to the track "St. Francis" splendid metaphor of the saint surrounded by "pig" of contemporary society that takes the strongest and most current music chrome with "The Monks of the West" closing track of the triptych application, yelling to the men to be saved "disregarding the reality."
The fourth and fifth song on the album seem to leave in a positive atmosphere above the gloomy music with different energy, lightness decidedly "pop" of "The Frogs", and "Unforgiven" are really just the understatement of this bloody society, where "the swimming pool of a farm covered the frogs" and where you can only empty the description of the third millennium of human relationships consist of utilitarianism and objectives that characterize the mass of "Unforgiven."

It 'clear that the "cuttlebone" of the song "Follonica" show imagery of a devastated pioneered reality described in the beautiful verses of Eugenio Montale, not surprisingly mentioned, so sharp and telling today's society easily comparable to that of a song marred by beach where you can plead to the person beside us is to "make it a little sex, do it anyway, to remind us to be alive ...". In the West
negative but something should be done, and then room for a revolution to change the inner sole means of individual conditions: "The song of the revolution" is l'inno di chi crede ancora nella possibilità di una vita differente dalla triste omologazione attuale.
I cori e le musiche pseudo-medioevali ed i colpi di tamburo che incalzano incitano al cambiamento "fallo contro i cori dei mercanti nel tempio, per i cristi assassinati senza una verità" e "fallo perchè gli ultimi diventino i primi, per la tua coscienza lurida lavata a metà", tutti noi inclusi.
Particolare è l'ottava traccia, "Groupies", in cui vengono ricordati i veri e propri aggregati numerici (quantitativi dunque non esistenziali) di ragazze che nei confronti di famosissimi gruppi di fama mondiale dei tempi del rock che fu, erano disposte a tutto, ma proprio tutto, pur di apparire contrassegnate, e vicine alla their most representative band: in what i Baustelle show the futility of idolatry against collective of artists, always men.
All topics are damn greasy cold blood of the third millennium will be the appearance and marketability to kill "The Doll" stereotype of the teenager of today's times: Rachel sings beautifully of a "doll", whose "face is ready for use "and" everyone is responsible for "continuing to apostrophize telling that" the same as before the doll is exposed in the window, it bends and bows, have the time power is watching your ass is fat feels so "until Bianconi will try to beg to save it in a way very sad, "father of the new villages, kill lives, God give her a summer flower that is liberated from the dreams and false needs not buy bait does not grow is not true ..."
hectic time of the previous three songs is interrupted, and a new dimension is opened by the poetry of "The undersigned" accompanied by a precious piano arpeggio of the tenth track is a declaration of love and hatred of all reality that marks the 'spirit of those who daily faces.
The final two pieces are the signature of this painting:
the eleventh track for me is the masterpiece of this CD where the accompaniment of guitars creates a very Indie Rock, where the Italian text sculpts and defines in clear what surrounds us, so obvious in fact, to be quoted directly without leaving room for comments emblematic part of the text: "Children want to drink orange drink because so bitter is reality and I have not too old to be able to deceive myself "to live in a different way.
If you will be clothed yourselves in the album and I will actually be lost in this cruel but damn true description of our world you will cry with not much difficulty with the closing of "The Last Happy Night of the World", "to Remember to be yourself, to be alone forever. "

"I Monks of the West "is the shipwreck of infertility in modern society that leaves no room for better prospects: the raw and naked truth.

Alessandro German

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FAQ

If the sky is clear of clouds, it is clear, without artificial lights, if you see the stars ... you can find the answers hidden in the sky ...

eye not to take freddo.

Auguri cari lettori di sto blog vecchi e nuovi, a chi crede e a chi non crede

tanto gli auguri son gratis e male non fanno (anche se al sud alcuni non la pensano proprio così).

215

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The uniqueness of Marsala.

GROUP: Marta Sui Tubi - ALBUM: "SUSHI AND COCA" (2008)

Who said that the news come only from abroad? It 's true that Italy has always been lacking in musical creativity ?
Innovation and anomalies that do not belong to this artistic talents are worthy of the band "Marta on the tubes." We are facing
al paradosso: un progetto nato scambiandosi casualmente idee e proveniente dalla sicula Marsala, fazzoletto di terra in cui difficilmente si potrebbe scommettere su un insieme di persone capace di evolvere in maniera così decisa il concetto di "musica".
Ascoltando quanto prodotto da Giovanni Gulino e Carmelo Pipitone dal 2002 in poi, non verrà sottovalutata la tesi appena affermata.
Prima di entrare nello specifico è infatti necessaria una premessa: qualsiasi lavoro dei "Marta sui tubi" che viene ascoltato è totalmente diverso da tutto l'altro materiale che potrà essere analizzato.
Non è chiaramente compito di una recensione parlare in maniera soggettiva del concetto inflazionato "è bella musica -Indent-no in my opinion sucks.
The quality objective is to songs from a different world compared to what we hear routinely.
finally arrived to the detail analysis will be done is that the album "Sushi & ; Coke ", released in 2008.
a work strongly influenced by the artistic talent of the band Marsala perfectly in line with their other productions.
Also this cd shows it, track after track, songs directly exported from the future to the present .
While listening to this album you will feel lost, not be relied upon to support air pollution to an ordinary day, you may remove the term "melodic song," because the melody in the songs of "Sushi & Coca" in industrial quantities, but there is so far away from our usual ontological and abused parameter that apparently seem the opposite: the listener surface I acknowledge the absence.
rhythmic elements to any "cockscomb" Dominique (song of jealousy) could make "jealous" that the listener will fail to translate into a minimum the number of these art songs. The air around
this production is the most complete development of any customary property benchmark.
From a purely technical point of view is certainly unusual compared to the "music land" the use of drums, bass and times that seem to be foreigners and strangers, as it will be easy to move the description of Milan, in the song Sushi & Coca , arid and purposeful social climbing of the current reality that does not know ounces of understanding [spending] and where the only thing you need to do is slaughter [The only] .
Abnormal rhythmic frenzy as the existential labyrinth today.
A hot concrete in your cd player, reached the end of 'play, will travel with the mind sharp pensieri a sonagli .
Il monito è di unicità della specie.

Alessandro Tedesco