BAND: "Subsonica - ALBUM" EDEN "(2011)
serial production tracklist (s) rarely moved, by custom plate on artistic parallels never be able to cross and take deviations do not represent new activity over fifteen years of SubsOnicA .
always the fundamental matrix of Turin band was to create new tests, often at odds with the public, too fond of a ' "habit" broken rigraziamento the sky, this winding path that has never was based on "life of others" but instead consistently based on a musical identity invaluable.
"Eden" , the new album, was released in the March 8 of this fresh 2011 and represents a seminal change for Samuel, Max, Boost, and Ninja Vicio.
E 'to this work that we have to recognize the achievement of fundamental and radical transformation of musical colors dull and cold album "The Eclipse" (2007) a vigorous and vibrant colors of paradise' Eden reached after a long climb over fifteen years as "Clouds fast" .
Beginning to spell out in detail "Eden" , this latest work reveals the update content several years away from what previously immortalized by the "fantastic five", if in 2007 it was turned off and poor alternatives highlighted the hand the suffering of being unable "liber the enough to give a street name its last response" now many factors have changed or are changing even better by drawing a potentially different future as stated several times in his detailed work by Massimiliano Casacci feel it in the air the energy of a transformation in which the "empty - finally through the new album - explode " creating a new dimension that will assist in polychromatic recurrence of his days to a constant "albascura" .
The album, specifically, has had since its very first steps of a huge media attention guaranteed by any means in the network and through a contact really ever so intense and direct, while the latter represents a fundamental characteristic of SubsOnicA , a dialogue "cyber" with the fans expressed through the splendid initiative to ensure a free download of first single through the iTunes website on the first day out, this just describes the image significantly more total distance in the world SubsOnicA monetizzabilità repeated in the common music of today, pointing out another popular as ever in the prices of tickets for their concerts live (on tour "Eden" that is about to leave ) feelings among other things expressed by the same Samuel during an interview at Fnac di Roma - of I can testify directly - with a sincere and genuine stance in contrast alle più classiche metodiche di lucro.
Proseguendo in questo lungo viaggio di percezioni narrate, dal punto di vista strutturale l’album “Eden” (2011) è costituito da 11 tracce più una ghost track, fantasma sonoro presente agli ultimi minuti del cd.
Il compito di aprire le danze spetta ad “Eden” canzone omonima al titolo dell’album che rappresenta significativamente la descrizione della nascita dell’album.
Parlando di musica nella sua essenza più concreta infatti i punti di partenza per questa nuova opera erano divergenti: se Samuel voleva generare un album “leggiadramente atmosferico” da ascoltare in spiaggia guardando il mare; Boosta era desideroso di vivere attaccato ad un pianoforte a coda evolvendosi con esperimenti acustici (tra l’altro già degustati nel secondo cd di “ Terrestre live e varie altre disfunzioni” (2006); discorso del tutto diverso invece per Ninja che intendeva assolutamente creare qualcosa di imponente nel panorama italiano, aria di dubstep ed elettronica inesplorata e rarissimamente ascoltata alle nostre latitudini erano i sogni che accompagnavano Enrico Matta ; e con un Vicio totalmente desideroso di un basso da “surriscaldare” a suon di gonfi ritmi a C-Max, President, the task is to compose and assemble all these bricks of different colors in one building called "Eden" .
Vera "contaminatio" short for a full album and never assume where all positions were combined into a mosaic electronic rationally. This
long but important parenthesis we finally opened the way for the analysis of songs: "Eden" the first track is an example where electronic malfunctions will spoil the entire term, where a tissue orchestrated guitar arpeggio meets the plan of intimate Boost creating soft lighting to the point of takeoff where the confidences musical sound after the second chorus bring into play a Ninja driving the rhythm led to the end of this very valuable song.
Much the same is surely to be entered for Snake a song emotionally able to download a shame that moves among us without revealing his identity, intentionally trying to hide the defect and by dropping the 'infallibility emotional, where the obsessive regularity gives way and frustrating opening chorus full of pathos stuck on a hellish in the second part of the instrumental track. Totally different is
"The Flood" , centerpiece, solid and substantial the entire work load and perfect in form (music) and content (text) elements literally scream in a "elastic feelings" in which does not have an easy life even brave samurai , simple people today who are struggling with the many difficulties of the modern world now "without peace and war" emotional and otherwise.
A reality that can change that so illuminated by SubsOnicA oggi a patto che ci si liberi presto da una classe dirigenziale incompetente e dall'immoralismo che ha conquistato l’intera Italia in ogni settore, un paese che segna indice positivo in un “P.I.L.” che evidentemente non può essere quello del significato concreto del termine ma che rappresenta un incremento in impennata dell’ambivalente e sarcastico “Prodotto Interno Lurido” , implorando un’Italia da liberare con un buon contenuto assolutamente condiviso ma attraverso un sound, questo sì, forse non all’altezza delle migliori produzioni firmate Samuel&co.
“Benzina Ogoshi” è e sarà another track that will send out laps in the public halls touched by the tour, a song rhythmically four-wheel drive, where the irony of "you could not repeat microchip emotional " ironically is repeated on the classical critique towards SubsOnicA often criticized because of the height of that masterpiece album ever is "Microchip Emotional" (1999).
of singularities, sunshine and light is shining "The Sun" sixth song on the music, certainly more sustainable than other songs on the album are the background of a text so incredibly abstract as true, in this emotional meaning in all of us.
The notes belong to the sweetest, most melodic "When" extension and voice with which Samuel is able to support a scenario where deep sound but the melancholy and touching are titanium dragged into a true love a poem that in this slow track seven is an oasis "charming" work.
In this Eden of negative socio-cultural traces are updated on a track like "Porcupine" where this solitary being "small or "and " dark eyes " summarizes the key to a city, Turin, but also not only the individual, and also, again, the entire society more angular and sharp, because living in a "so easy, it was not ever" , where the melancholy and touching the highest point at the end of the second chorus: violins conclusive cross abnormal sounds of synthesizers, drum and bass line supported by a square and a ruler ' expressiveness of the voice to say the least, unique.
As an obstacle course called the attention of the listener port to deal with a trace of all different: "Among the Gods" is a song dall'intro electronically paced games and background vocals are different from real antagonism to text and vocal line based Samuel where SubsOnicA, a splendid text subjective interpretation, are able to capture the first hearing this piece.
Nipponica is the only definition to be given to lighter "function" in which - nell'impavida subjective interpretation - gleaming symbols of cartoon characters with Japanese manga robot designer '80s-'90s seem to take life and where the line is amazing Sewing stretched by guitar C-Max can to relaunch without losing rhythmic various parts of the song led by a much lower strength as the heroic nature of this Asian song.
Closing the album is a load of the many beautiful and touching as romantic and painful "The Angel" : the background music creates a rhythmic series of full-hollow sound with synth-saturated tones of emotion, time slow, undulating rhythms, run the culmination of "Eden" built on a poem in which electronic Samuel reaches levels of quality voice and undeniable as it is in this song that celebrates the cd flying with closed eyes music between the ears; suspended from above the listener seems to not want to get our feet on the ground.
The analysis of the songs, however, served to little unless it breaks in these last moments to review the schematic of the structure, with the courage to go further: a new sound is hard to find elsewhere is the sixth album "Eden" , made of actual contamination from every imaginable piece of creativity, where those seeking a compelling "center of the flame" meets signals explosives "The Flood" and "Petrol Ogoshi" , while lovers of the Sub-songwriters are in single combat "The Angel" and "When" , and in the end where people - and in this part of the audience I strongly insert - looking for progress, research and innovation at to leave behind "Roads" that are absolutely "are led strong shocking new creatures found in experiments as" Eden "or creatures as" porcupine " ( shock-horror video included) in hybrid electro-carved choir from the public mind and soul as in "The Snake" .
"Eden" is the means of atonement able to purify "the eclipse of a satisfied and extinguished civilization" accompanying "the prickly porcupine formed in the heart of each one of us" through " perfect wave for you will break against " - finally - a new place to explore" the Eden of intense emotional hunger ".
I, between " The Eclipse "and " Eden ", l ' I noticed long before the art oxymoron to throw streams of words, and you?
Atonement to earn "a place among the gods" is in heaven music furnished SubsOnicA .
in attentive to the details of the furniture!
Il compito di aprire le danze spetta ad “Eden” canzone omonima al titolo dell’album che rappresenta significativamente la descrizione della nascita dell’album.
Parlando di musica nella sua essenza più concreta infatti i punti di partenza per questa nuova opera erano divergenti: se Samuel voleva generare un album “leggiadramente atmosferico” da ascoltare in spiaggia guardando il mare; Boosta era desideroso di vivere attaccato ad un pianoforte a coda evolvendosi con esperimenti acustici (tra l’altro già degustati nel secondo cd di “ Terrestre live e varie altre disfunzioni” (2006); discorso del tutto diverso invece per Ninja che intendeva assolutamente creare qualcosa di imponente nel panorama italiano, aria di dubstep ed elettronica inesplorata e rarissimamente ascoltata alle nostre latitudini erano i sogni che accompagnavano Enrico Matta ; e con un Vicio totalmente desideroso di un basso da “surriscaldare” a suon di gonfi ritmi a C-Max, President, the task is to compose and assemble all these bricks of different colors in one building called "Eden" .
Vera "contaminatio" short for a full album and never assume where all positions were combined into a mosaic electronic rationally. This
long but important parenthesis we finally opened the way for the analysis of songs: "Eden" the first track is an example where electronic malfunctions will spoil the entire term, where a tissue orchestrated guitar arpeggio meets the plan of intimate Boost creating soft lighting to the point of takeoff where the confidences musical sound after the second chorus bring into play a Ninja driving the rhythm led to the end of this very valuable song.
Much the same is surely to be entered for Snake a song emotionally able to download a shame that moves among us without revealing his identity, intentionally trying to hide the defect and by dropping the 'infallibility emotional, where the obsessive regularity gives way and frustrating opening chorus full of pathos stuck on a hellish in the second part of the instrumental track. Totally different is
"The Flood" , centerpiece, solid and substantial the entire work load and perfect in form (music) and content (text) elements literally scream in a "elastic feelings" in which does not have an easy life even brave samurai , simple people today who are struggling with the many difficulties of the modern world now "without peace and war" emotional and otherwise.
A reality that can change that so illuminated by SubsOnicA oggi a patto che ci si liberi presto da una classe dirigenziale incompetente e dall'immoralismo che ha conquistato l’intera Italia in ogni settore, un paese che segna indice positivo in un “P.I.L.” che evidentemente non può essere quello del significato concreto del termine ma che rappresenta un incremento in impennata dell’ambivalente e sarcastico “Prodotto Interno Lurido” , implorando un’Italia da liberare con un buon contenuto assolutamente condiviso ma attraverso un sound, questo sì, forse non all’altezza delle migliori produzioni firmate Samuel&co.
“Benzina Ogoshi” è e sarà another track that will send out laps in the public halls touched by the tour, a song rhythmically four-wheel drive, where the irony of "you could not repeat microchip emotional " ironically is repeated on the classical critique towards SubsOnicA often criticized because of the height of that masterpiece album ever is "Microchip Emotional" (1999).
of singularities, sunshine and light is shining "The Sun" sixth song on the music, certainly more sustainable than other songs on the album are the background of a text so incredibly abstract as true, in this emotional meaning in all of us.
The notes belong to the sweetest, most melodic "When" extension and voice with which Samuel is able to support a scenario where deep sound but the melancholy and touching are titanium dragged into a true love a poem that in this slow track seven is an oasis "charming" work.
In this Eden of negative socio-cultural traces are updated on a track like "Porcupine" where this solitary being "small or "and " dark eyes " summarizes the key to a city, Turin, but also not only the individual, and also, again, the entire society more angular and sharp, because living in a "so easy, it was not ever" , where the melancholy and touching the highest point at the end of the second chorus: violins conclusive cross abnormal sounds of synthesizers, drum and bass line supported by a square and a ruler ' expressiveness of the voice to say the least, unique.
As an obstacle course called the attention of the listener port to deal with a trace of all different: "Among the Gods" is a song dall'intro electronically paced games and background vocals are different from real antagonism to text and vocal line based Samuel where SubsOnicA, a splendid text subjective interpretation, are able to capture the first hearing this piece.
Nipponica is the only definition to be given to lighter "function" in which - nell'impavida subjective interpretation - gleaming symbols of cartoon characters with Japanese manga robot designer '80s-'90s seem to take life and where the line is amazing Sewing stretched by guitar C-Max can to relaunch without losing rhythmic various parts of the song led by a much lower strength as the heroic nature of this Asian song.
Closing the album is a load of the many beautiful and touching as romantic and painful "The Angel" : the background music creates a rhythmic series of full-hollow sound with synth-saturated tones of emotion, time slow, undulating rhythms, run the culmination of "Eden" built on a poem in which electronic Samuel reaches levels of quality voice and undeniable as it is in this song that celebrates the cd flying with closed eyes music between the ears; suspended from above the listener seems to not want to get our feet on the ground.
The analysis of the songs, however, served to little unless it breaks in these last moments to review the schematic of the structure, with the courage to go further: a new sound is hard to find elsewhere is the sixth album "Eden" , made of actual contamination from every imaginable piece of creativity, where those seeking a compelling "center of the flame" meets signals explosives "The Flood" and "Petrol Ogoshi" , while lovers of the Sub-songwriters are in single combat "The Angel" and "When" , and in the end where people - and in this part of the audience I strongly insert - looking for progress, research and innovation at to leave behind "Roads" that are absolutely "are led strong shocking new creatures found in experiments as" Eden "or creatures as" porcupine " ( shock-horror video included) in hybrid electro-carved choir from the public mind and soul as in "The Snake" .
"Eden" is the means of atonement able to purify "the eclipse of a satisfied and extinguished civilization" accompanying "the prickly porcupine formed in the heart of each one of us" through " perfect wave for you will break against " - finally - a new place to explore" the Eden of intense emotional hunger ".
I, between " The Eclipse "and " Eden ", l ' I noticed long before the art oxymoron to throw streams of words, and you?
Atonement to earn "a place among the gods" is in heaven music furnished SubsOnicA .
in attentive to the details of the furniture!
Alessandro German
